These competing nations are set on a world geographically much like ours. However there are sleeping dragons and dangerous beasts resting beneath volcanos waiting for the opportunity to wake and destroy humanity's world (though the reason for their anger is never explains - presumeably beasts under volcanos are just evil). From the start the novel focuses on several different groups of people. Queen Sabran is one of a long line of queen's who all look identical. Their daughters are the magical barrier that prevent the great "nameless" evil from waking and destroying the world. At the start of the novel Sabran has made a marriage of convenience with the King of Hróth (a society that is a thinly veiled viking north). Their daughter Gloria's destiny is simply to keep the line going and while doing so learn from her mother how to build alliances and strengthen the realm.
Elsewhere in the Priory, the focus of the earlier book, Tunuva Melim is a guard of the Orange Tree, but while she and her sisters are trained to fight monsters - none have appeared. There's tensions here as the youngsters chafe at the restrictions and society. Is it even real?
Finally there's the dragon rider Dumai, or would be dragon rider (there are no dragons) whose realm is organised around the Gods - the dragons - and their awakening.
The novels shifting viewpoints are gradually, as in all great epics, brought together. The evil awakes (as do the dragons) and an appalling assault on humanity begins. The various different heroines each have a role or quest, as they bring together different strengths and powers to fight the evil monsters. One of Samantha Shannon's writing strengths is that she describes a bloody good battle - and there are some corkers here. Particularly ones where humans get beaten. The monsters win, rather a lot, and humanity is pushed back into tiny hideouts, barely surviving.
The book builds to a good climax setting the stage for the sequel. But what of the radicalism. Here I found that some of the edge of Orange Tree was blunted. Part of the strength of that novel was the (then) Queen Sabran grappling with her role as a mother just for the next generation of Queens. There was a tension between personal desire and the needs of the regal role. That's absent here because the story needs to set up volume two. As in her other work Shannon is good at writing LGBT+ and female characters and so there are some interesting points about gender and sexuality. For instance in Tunuva's realm all the fighters are women and men take on supporting roles. But these are the backdrop to the novel, they are not the core point - refreshingly.
Subversion, such as there is, lies in the challenge to the Tolkienesque fantasy tropes - the medievalist, white, hetrosexual males - rather than the "viewpoint of the proletariat".
As such I found A Day of Fallen Night was not quite as sharp as its follow up. In addition the multi-view points and many many characters often got confusing. That said, its a fun read - particularly if you like reading about humanity getting killed off - and brilliant world building for the stronger Orange Tree.
Related Reviews
Shannon - The Priory of the Orange Tree
