Seichō Matsumoto - Tokyo Express

Traditionally Tokyo Express is described as a novel that opens with the discovery of two bodies on a grim, rocky beach in Japan. They are apparently a couple, who've died by suicide. But actually the novel really opens with the women who work in a small restaurant where one of the dead couple is a waitress.

It's worth noting this slight difference, because central to this classic detective novel are small details of ordinary life. The women who work at the restaurant, whose clients are often wealthy (and corrupt) business men, play an important role in the novel as observers. They are led to see things by the characters, and its how and what they saw which makes the detectives who think there's something odd about the suicide, reevaluate.

Tokyo Express was first published in 1958. It is very much a novel about post-war Japanese society. A society in transition from the stifled, imperial, past to one of open capitalism. While tradition remains important, businessmen are corrupt and easily led. Government officials are lining their own pockets and covering up shady dealings and ministers are under investigation. It's a society in transition, but also on edge. Almost everyone, with the exception of the disheveled detectives, is out to grab what they can.

One other difference is worth noting. The new Penguin edition is a new English translation. The original English title wsa Points and Lines. That, in my opinion, is a far better title. It captures the essence of the novel which hinges on the detectives working out exact timings, connections and travel on timetables. One of the characters (and I avoid too many spoilers here) is unable to leave their sick bed. In doing so, they've become obsessed with the Japanese railway timetable. A similar detailed study by a detective helps break things through. This is a novel that hinges on times and travel, because its all about who could be where and how. And, if they were somewhere specific, then Japanese formality meant that they would leave their name to be trapped by bureacratic paperwork.

This then is a novel that could not have worked in the same way in England. Timetables here might have constructed the context, but the bureaucratic record would have not matched the detective's thoroughness. Tokyo Express then is a tightly written crime novel relying on superb levels of detail. But it's depth depends on close attention to culture and society.

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