Tuesday, November 19, 2024

Ivan Doig - Winter Brothers: A season at the edge of America


James Gilchrist Swan was a remarkable individual. Born in 1818 he spend most of his life in the Pacific North West, now part of Washington state in the US. Having travelled widely before arrival there, he took on a number of roles for the US government and other interests, becoming an Indian Agent, a temporary representative of a railroad company, and other such frontier roles. He was also a collector for the Smithsonian Institute, buying Native American art and tools for their collections. In addition Swan was a politician, a hunter, a painter and above all a writer. Today he would likely be called an anthropologist (indeed that is how he is described in his current, all to brief, Wikipedia entry). 

Swan lived among the Makah tribal group for many years, learning their language and customs, and documenting almost every aspect of their lives - from religious beliefs and mythology, to fishing practices and art. His book on the Makah was eventually published by the Smithsonian and remains an important account of their history and culture. But Swan was also a prolific writer in two other regards - his letters to all and sundry, and his diaries, which he kept for decades. These he filled daily recording in detail his life, work and internal thoughts.

Ivan Doig's Winter Brothers is Doig's study of these diaries, written while spending a winter season in the North West, visiting places and sites related to Swan's life. Doig is a magnificent writer, his own personal history, and the travelogue, expertly intertwined with extracts from Swan's diaries. At times this can be a little hard to follow as the reader has only italics to separate contemporary from historic. But it is worth pushing through as both illuminate each other.

Doig is a great novelist and biographer. But it is Swan that shines through the book, his love for life and people is wonderful. His respect for the Native Americans and their way of life, even if he is driven to distraction by some individuals, seems remarkable for the time. The closeness of his life with them, and the documentation of their culture is made with scientific rigour, but also honesty. 

But the diaries are also very touching. Swan's struggles with alcohol, his love for food and the way that life, death and love affect him through decades are moving. Doig's interaction with these aspects, as well as the insights he brings from his own youth in Montana make this a remarkable work. 

On finishing I noticed that my copy of the book has the name and number of a hotel scribbled on the inside back cover. This hotel, it turns out, is on one of the many islands in the Salish Sea, a place that Swan explored in detail and the location of his last, expedition. One of the previous owners was clearly enjoying the insight into the area offered by Doig's book while visiting the region. I can't imagine a better introduction to the place, it's people and history.

Related Reviews

Doig - This House of Sky: Landscapes of a Western Mind
Doig - Bucking the Sun

Sunday, November 17, 2024

Hal Draper - Socialism from Below

The US Marxist Hal Draper is perhaps best remembered for his monumental, multivolume study of the revolutionary thought of Karl Marx. But socialists usually first encounter him in a less grandious way by reading his well known pamphlet The Two Souls of Socialism. That pamphlet, and the work is was originally based on, where an attempt by Draper to grapple with the "crisis" of socialism in the period after World War Two. Then, Stalinism was triumphant, poisoning the very idea of Communism by become stipping it of any sense of revolution from below. As Draper explains:
The crisis of socialism and socialist ideas today, brought about by the aftermath of the Second World War and the rise of Stalinism against the background of the decay of world capitalism, has pinpointed one fact without possibility of dispute: The basic question for socialists is precisely this one of the conception of socialism.

Socialism from Below is a collection of Draper's essays (together with one criticial essay) that explore these crucial concepts. The first essay is the aforementioned Two Souls, which serves as a jumping off point for the discussion, even though most of the other essays have no direct connection in terms of publications. The opening essays explore the arguments of several US thinkers against socialism as a emancipatory mass strategy. These criticisms come in a variety of forms, but the dominant ones for Draper writing in the 1960s were "state control" of the means of production and managerialism. He writes of the US socialist and academic, Maynard C. Krueger that he "equates tendencies toward socialism with any tendency toward increased state controls". Draper's criticisms of these arguments are important because they have their parallels with arguments today, though modern readers will rarely have heard of some of those he is critiquing.

As with Draper's other writing, one of the things that shines through is his deep knowledge of the lives and work of Marx and Engels. In his discussion of Karl Marx and Simon Bolivar, for instance, he explores precisely how Marx and Engels understood Bolivar through a discussion of them writing a encyclopedic entry on the South American radical. He notes that unlike many radicals of the time, and indeed of today, Marx and Engels did not accept Bolivar's strategy, or the vision of some who supported him at the time and later, that the masses had to fight for a dictatorship that could then gradually introduce democracy at some later point, when the masses "were ready". As Draper says, "[Marx] does not accept the rationalisations for dictatorship" and continues:

There seems to be a contradiction: if there is no way for people to become 'ready' for democracy except by fighting for democracy, then it follows they must begin fighting for it before they are certified to be 'ready.' And in historical fact, this is the only way in which democracy has advanced in the world. The continuous solution to the contradiction lies in the process of revolution itself. This is a dialectic which will always be jeered at by those mentalities which know how to celebrate revoluitonary struggles only after they have been straijacketed by a new oppressive establishment.

If Draper here draws on lessons from the 19th century about revolution and the fight for liberation. Modern readers can draw on Draper's lessons from the struggles he was involved in. These include the radical years in the 1960s at Berkeley in California, when Draper was part of student struggles for democracy and against corporate influence on campus. Draper has written elsewhere of these in detail. But what again shines through is his commitment to struggle from below, and a sharp analysis of the limits of movements that do not put their trust in the masses.

A later essay explores the role of trade unions. This was an educational for socialists that Draper spoke at, to encourage a non-sectarian approach to trade union work, inspired by his idea of socialism from below. In it he explores what a trade union is, its limits and its potential and encourages the idea that socialists would be active within such a body. While socialists in Britain today might be frustrated by our union leaders, Draper has to engage with a much more right-wing, corporate trade union burearcacy. Nonetheless he does not right off these unions. I do think that here he gets it slightly wrong however. For Draper the union leaders are figures who can be pulled by mass action from below. He argues, "One function of the union leadership is to provide the organisational leadership of our class." [Draper's emphasis]. This, I think, is mistaken. It is better to understand the TU leaders, as Tony Cliff did, as a class of themselves, positioned between the workers and the bosses, and pulled by their own interests. Cliff's analysis arose out of his understanding of the economic seperation of the TU bureacrats from the shop-floor. 

Draper's position muddies his understanding of the role of revolutionaries within the trade unions. It is, he writes, "their specialfunction to organise that other pressure against the leadership". The idea of "disciplining" the trade union leaders by rank and file feels like a self-limiter on the movement itself. Surely the idea is that revolutionaries should be developing rank and file leaders to provide an alternative source of power to the trade union bureacrats. Consequently in this essay I wasn't convinced of Draper's criticisms of Rosa Luxemburg and the German Spartakist League towards the Revolutionary Shop Stewards during the German Revolution. Draper seems to think that Luxemburg should have abandoned the Spartakists for the RSS which seems to ignore the very constraained position her and Liebknecht found themselves in as counter-revolution raised its head.

Draper can be forgiven these errors in my opinion, because they do stem from having the right original position - the belief that workers action is key to their self emancipation. Indeed, the collection of essays in Socialist from Below, is a detailed reminder of what is lacking on the US left in general. Draper himself is a brilliant writer and polemist. His essays are barbed and full of humour, as his essay Vladimir Ilyich Jefferson and Thomas Lenin brilliantly demonstrates. 

But, as the world faces Trump's second rise, and the US left lacks a serious revolutionary organisation. New generations ought to dig out Hal Draper's work. This collection is expensive and academic, and the editor ought to have put more notes to give context to the articles (such as dates!) and so on. But there's a lot here the left desperately need to relearn. As Draper points out, "Marxism, as the theory and practice of the proletarian revolution, therefore also had to be the theory and practice of the self-emancipation of the proletariat. Its essential orginality flows from this source."

Related Reviews

Draper - Karl Marx's Theory of Revolution Volume 1: State & Bureaucracy
Draper - Karl Marx's Theory of Revolution Volume 2: The Politics of Social Classes
Draper - Karl Marx's Theory of Revolution Volume 3: The 'Dictatorship of the Proletariat'
Draper - Karl Marx's Theory of Revolution Volume 4: Critique of Other Socialisms
Draper & Haberkern - Karl Marx's Theory of Revolution Volume 5: War & Revolution
Draper - The Dictatorship of the Proletariat from Marx to Lenin

Wole Talabi - Shigidi and the Brass Head of Obalufon

Wole Talabi is a well known Nigerian author, but this is their first foray into fantasy. Set in a universe where the spirit and human worlds coexist side-by-side, Shigidi is a low ranking nightmare god, who as with other Nigerian gods suffers from a lack of faith. Worshipers are few and far between. The Christian and Muslim faiths have hoovered up their followers, and with the loss of followers comes a consequent loss of power.

The idea that gods are only as powerful as the number of worshippers they have is an old trope in fantasy. My first recollection of it was in Terry Pratchett's Small Gods. The idea likely predates that. But its a neat idea and in the hands of Wole Talabi it becomes a mechanism to discuss power, colonialism and the modern world. Instead of religion, the gods organise through corporations. The boards of these argue about advertising campaigns designed to drum up new followers. The Nigerian patheon of gods, organised through the Orisha Spirit Company, has just come out of a relatively unsuccesful attempt to increase income by funding films in Nollywood.

More problematically for Shigidi, is that he is in love and is on the run. He's falled for the succubus Nneoma, and together they've fled his corporation. Going freelance enables them to live off the spirits of humans that they steal - requiring Nneoma to seduce them with her beauty, and then steal their spirit at the point of orgasm. But it also leaves them with some serious obligations that they finally have a chance to break free of when they are offered a deal: steal a powerful artifact from the heavily magically guarded British Museum, and bring it to the Nigerian Embassy, and they'll both be free of debt, obligations and much more powerful than they can hope for.

The book is pitched as a love story, as Shigidi falls for Nneoma, and she struggles with her own past, her issues preventing her committing to Shigidi. The book opens as she finally does so, as the two escape in a London Black cab through London spirit world. The book then jumps back in time multiple times to give the reader the full back story.

As I said. An intriguing idea, and interesting for the way it brings in serious issues that are being discussed today, namely why all that stuff is in the British Museum anyway. Unfortunately the book is weakened because of its emphasis on sex and violence. There are several long fight scenes and a variety of sex scenes (as well as the violence of Nneoma's stealing spirits from humans who can't escape). These undermine the more intriguing and subtle story of colonialism and post-colonial rule. The metaphor of decling religious power due to the rise of Western ideas and religions gets lost. In fact the best bit, when Shigidi is in the British Museum trying to steal the artifact is disappointinly short. But it offers some moments: 

The gallery walls were painfully white and sterile, arrayed with an assortment of colorful masks, cloths, pottery, weapons and all manner of items displayed atop plinths in transparent cases. Some of the items were works of art. Others he recognised as totems of gods, deities and spirit entities from his and other spirit companies he had worked with in the past, now all displayed - hung, bound, or in locked glass boxes like prisoners. He stared, shocked.

Some of the items Shigidi remembers from his life when the Nigerian gods were all powerful. That they were stolen and hidden in the Museum, filled "him with heat at what the sight before him represented". It was he thinks, "a certain kind of savagery to keep these once purposeful items for no other purpose than display, as trophies in memorian of a colonizer's self-given right to take." 

It's a powerful moment - fantasy becoming real. But I felt that these bits were lost in the fights, chases and the sex. 

Shigidi and the Brass Head of Obalufon benefits from a brilliant world construction. It needed a bit more depth to fully explore it. I hope that there are sequels as I'd really like to see what Wole Talabi does next with these characters and ideas.

Monday, November 11, 2024

Chantal Lyons - Groundbreakers: The return of Britain's wild boar

Until I picked up Chantal Lyons' Groundbreakers I had no idea that there were parts of the British Isles that had hundreds of wild boar. Native to Asia, Europe and North Africa wild boar are a significant part of European cultural identity. Think of the boar hunts in medieval romances and the boar on various regal coats of arms. But boar disappeared from many parts of their "natural" habitat, and entirely vanished from Britain as the woodland that they live in was cut back and they were hunted down. Now, the boar are back. In the Forest of Dean where Lyons studies boar there have been perhaps 800 individual boar, though numbers have decreased due to hunting and control by poachers and authorities in recent years.

Groundbreakers is Lyons' celebration of the boar. It is simultaneously a study of the boar, their nature, and their place in the environment. But the book is also a look at how humans relate to wildlife in general, and boar in particular. How these animals are perceived, and how that perception changes. But the boar's return is not, in itself natural. As Lyon writes:

Their rise has been abetted by our own environmental damage, because an organism is more likely to become destructive – and therefore invasive – in a foreign ecosystem if we have erased the native species that might otherwise have stopped it gaining a foothold.

In other words, the boar have been returned to a place that is not the one they used to occupy. It is one transformed in time and space. Indeed the boar themselves are different, some of them carrying the genes that result from their breeding with domestic pigs.

The comeback of wild boar in mainland Europe has been blamed largely on the decline in human hunters and bountiful food in the form of maize and other crops. With their undiscerning diet, their large litters and their sheer adaptability, wild boar are evolved to catapult themselves towards the slightest opportunity.

The return of the boar, some released deliberately by animal liberation campaigners, others released by hunters and still more escaping from domestic confines, has led to an interest in their role within the wider ecology, and a discussion about their potential as part of wider rewilding efforts. Rewilding is often simply understood as the release of animals and plants into areas that have been denuded by human induced change. A return to a past nature. It is, in my opinion, a environmental that is much more complex - not least because it rewilding enthusiasts often hope for a return to an imaginary past, neglecting to understand the role of human influence on nature. As I noted in my recent review of Sophie Yeo's recent book Nature's Ghosts, there is no natural world. Rewilding must take account of the complex interactions between animals, environment and humans. 

Lyons' book supports this. She explores the way that boar change the environment, shaping aspects of the Forest of Dean, digging, turning and breaking ground in ways that have important impacts on flora and fauna. These are fascinating chapters, exploring as they do the way that boar fit into an ecosystem, changing it and being changed by it in turn. The experience of boar in the Forest of Dean is, Lyons says, the "biggest unintentional field experiment in Britain’s nascent rewilding history."

Wherever boar root through the earth, we’re told, we’ll see volcanic eruptions of green growth, and all manner of other life will swarm and flock. Which does happen. Sometimes... But while the time that the boar has been gone is, in ecological terms, just an eye-blink, we have still forced much change on our landscapes in the interim. We can’t be certain of what would happen if boar were allowed to return to the entire country and in significant numbers.

But Lyons' book is perhaps most remarkable in her study of the effect of boar on humans. Some people living in areas where the boar have returned are excited; celebrating them, enjoying them, photographing and sharing their pictures. Others are scared and threatened. Lyons is certainly in the first category. Her excitement for these giant creatures shines through the pages, and we're drawn into her adventures. But Lyons is not the sort of author who only looks for positive reinforcement for her own opinions. She travels with people who hunt the boar, trying to understand their perspective, and finding some real insights. She also talks to those terrified of the animals.

Some of them are fearful for their personal safety, though there are scarce any examples of injury from boar in Britain. Some fearful for their animals, or personal property, though again few examples. Some are caught up in tabloid fearmongering, or simply don't like the animals.

Boar might number a few thousand in Britain. But there are an estimated ten million across mainland Europe and this makes for an interesting comparison. Why are the experiences and attitude to boar to wildly (!) different in Britain and Europe?

Here Lyons examines the different approaches to nature. One expert in the Spanish state, hired to monitor the boar living in the rural-urban interfaces in Barcelona argues that ‘The wild boar is not a problem... The problem is caused by people’s lack of experience with wildlife.’ It is certainly a good point. The fear of the unknown, hyped up by click-bait newspaper headline writers, is certainly a factor. But perhaps more deeply Lyons argues that the way that nature is approach in Britain arises out of a particular separation between nature and human. As Lyons says:

I fear that the sole use of farmed animals is helping to reinforce the mindset that ‘human’ and ‘nature’ are, and should always be, separate realms. We have erected fences and other hard barriers to keep nature (including people) in or out. Yet so many wild lives depend on the ability to move through landscapes, to take part in ecological cycles of disturbance, rest and renewal. We’ve forgotten this. And just as we deny the movement of individual animals and of species by creating artificial boundaries, so we deny ourselves permission to belong to the rest of the world. We absorb our fences into our minds.
Maybe that’s a core part of why rewilding raises hackles. If your thoughts are constructed using the nature versus human binary, then rewilding can only mean wildlife, and never wildlife and people.

This I think is a particular problem in Britain. While it isn't restricted to Britain, there has been a particularly intense experiment with neoliberal nature by successive governments in the UK that has placed prices on nature and commodified the landscape. Lyons quotes Virginia Thomas of the University of Exeter who says "rewilding in England has itself been domesticated; it sacrifices some of its ambitions for ecological restoration in order to retain more human control." 

Rewilding has become trapped by an approach to nature marked by the idea that prioritising capital accumulation is the only way for society to function. Nature is simply another aspect to this. This is not to say that neoliberalism hasn't also affected France, Spain or Italy. But to argue that so called Natural Capital approaches haven't gone as far. That won't last.

Thus the rewilding conundrum cannot be answered simply. It is not enough, as Lyons book explains, to simply restore an individual animal or plant to an area. Boar on their own won't halt Britain's biodiversity crisis. On the other-hand, rewilding as an approach that ignores humanity and our own position within ecological systems, is also doomed. The people who quietly shoot boar, or try to restrict them to certain fields and woodlands, are making the same mistake from the other direction.

The only solution can be a transformative approach to humanity's relationship to nature, one that recognises the complexity of nature's interactions and the place of boar (or beaver or any other animal) within that. And whose introduction involves a transformation of our own understanding of nature as well as our understanding of particular species. Such a revolutionary rewilding would be something else indeed.

Groundbreakers reminds us of what we stand to lose. Its not simply that we might not see boar, and their litters, living in the Forest of Dean, but that we might lose it all. Chantal Lyons' celebration of boar, and her thoughts on the meaning of rewilding make for a lovely and stimulating read. As such Groundbreakers is a book for our times.

Related Reviews

Dawson - Extinction: A Radical History
Rawlence - The Treeline: The last forest and the future of life on earth
Shrubsole - Who Owns England?
Yeo - Nature's Ghosts: The world we lost and how to bring it back
Pearce - The New Wild: Why Invasive Species will be Nature's Salvation
Lymbery - Dead Zone: Where the Wild Things Were

Sunday, November 10, 2024

Lee Child - Die Trying

This, the second Jack Reacher novel, follow a pattern that I suspect will become common place in the series. Jack Reacher randomly finds himself in a violent and unusual situation, which requires him to use his skills to violently escape. In his way will be a succession of dangerous enemies and their less than able henchmen. At various times Reacher will utilise his military knowledge, brawn and brains to defeat these enemies, while the reader gets to learn about a variety of military hardware.

It's all, remarkably satisfying, and Die Trying is perhaps apposite this week, given that its "bad guys" are far-right, Nazi, American militas living in the backwoods of Montana. Reacher finds himself kidnapped alongside a young woman, who turns out to be with the FBI and an important target for the Nazis. The Nazis aim to use her in their elaborate, and completely unfeasible plan to secede from the United States, and build a new country on the lines of the US constituion as they interpret it. It's all very Make America Great again.

Luckily Reacher is no proto-Trumper and he blows up, machine guns, and fights his way back to a vision of liberal America that never really existed either. Along the way he has sex after burying the crucifed corpse of someone who defied the milita - which proves that it takes all sorts really. It also has the least exciting cross-America road trip in literarture. Die Trying's a classic thriller packed full of silliness and escapism - perhaps not as polished as the first one. But that doesn't really matter.

Related Reviews

Child - Killing Floor

Sunday, November 03, 2024

Rhian E. Jones - Rebecca's Country

The "Rebecca Riots" were one of the most striking examples of rural rebellion during the 19th century. Today they are mostly remembered, when they are remembered at all, for being against tollbooths and involving men dressed in female attire. But they were much more than this, they were a mass uprising against the way capitalism was destroying communal relations, and transforming traditional Welsh life to  maximise profits for landowners, and diminishing the lives of the lower classes.

Rhian E. Jones' important new account of the Rebecca riots fills a gap in recent studies of the period. Few recent books have covered Rebecca and this work has benefited from contemporary approaches to class and gender. This means that Jones' tells the history of this struggle in a fresh way to a new audience, and takes up issues that have often been ignored about the struggle itself.

The Rebecca movement was initially aimed at tollbooths. But it arose out of the appalling conditions that working people experienced in 1843. Low wages, low crop prices, high rents and unsympathetic landowners contributed to a massive crisis among ordinary people. The toll booths were a symptom of this, as their owners sought to raise cash ostensibly to pay for road repairs, but actually for pure profit.  Hundreds of tolls were imposed, and farmers found themselves paying multiple times on a single journey, essentially being taxed for trying to do their work. Conditions were awful, as Jones says, some houses "built of mud or stone with thatched roofs, had minimal furnishing, often a single room with one or no windows, packed-earth floors and bedding of straw mattresses and homemade blankets".

The rebellion against the tollbooths encapsulated the anger at these conditions. But the tollbooths represented something much more - the literal commodification of the Welsh landscape. It was this that meant the rebellion went much further than an outpouring of anger at the tollbooths, and spilled into a generalised revolutionary movement.

In 1843 the rising was so great that it drove the landowners away from their country estates, saw thousands of troops billeted in the countryside, and pitched battles between protesters, their supporters and the authorities. One contemporary report said, that Wales was experiencing "a formidable insurrection, overawing the law, invading the most sacred rights of property and person, issuing its behests with despotic effrontery, and enforcing them by the detestable agents of terror, incendiarism and bloodshed."

The destruction of tollbooths was a key part of the rebellion. Jones unpicks what took place, which tended to follow a known pattern. At night, a group of dozens of people, led by a figure on horseback would arrive at a tollbooth. Many of the leading figures, and certainly the "leader" on the horse would be dressed up, often in female clothing, and usually addressed as Rebecca. The protesters would expel anyone living in the toll houses, allowing them to escape safely and usually remove their belongings. Then the booth and its gate would be destroyed. The destruction seems to have had an air of ritual to it. Buildings were systematically destroyed, brick by brick. Gates would be sawn into pieces. Fire would consume the rest. Almost as if the protesters were erasing the building from memory, rather than just destroying it. 

The protesters would act quickly and were frequently supported by many onlookers. One thing that struck me was the similarities with the arson and rick-burning that characterised the Captain Swing movement just over a decade before. That too was enormously popular and attacks were often communal events, with local people supporting and watching in great numbers. Rebecca and Swing were both characterised by the mass support, if not complete participation, of the greater part of the labouring rural poor. They were both rebellions that went beyond mere economic demands.

Jones shows how this went further. The mass attack on the Carmarthen Workhouse was in part a rage at the authorities' approach to poverty. But it was also driven by a punishing approach to women who had had children out of marriage, including as a result of rape or abandonment by wealthy men. One of the great successes of Rebecca was a change in the law around the support for women in this situation. But Rebecca also took direct action on this. I was inspired to read how Rebecca protests on occasion confronted men who had abandoned women and their children, demanding financial restitution and support. On another occasion Rebecca rioters installed a poor family in more suitable accommodation, somewhere they were still living many decades later.

One of the things about Jones' book is that it covers womens participation in the movement. Because male rioters dressing in women's clothes was a key part of the rebellion's most public expressions, histories have often focused on male participation. But in fact, as Jones' shows, women were central to the protests, to supporting them, and to the wider discontent. Frances Evans, who was charged as a result of her leading role in the attack on the Carmarthen Workhouse, was accused of "having incited and led the mob... urged on the rabble to proceed upstairs, and otherwise grossly misconducted herself."

Jones' gives a great sense of the political breadth of Rebecca's revolutionary movement:

The targets of Rebecca were evolving to encompass more than tollgates. They now included the enclosure system: near Ammanford, a newly built wall that cut off a section of formerly common land to form a private field... was torn down and the field thrown back open to public use. Meanwhile a vicar at Penbryn received a threatening letter for having forced local Nonconformists to donate to the cost of a Church school.

The Viscount Melbourne wrote to the Queen, fearing a "general rising against property". Ruling class fears of revolution ran through their response to Rebecca. As a result military violence was common place and the stationing of thousands of troops held hold down south-west Wales. There was a general concern anyway that the British working class was on the move. Fear of Chartism had the government on edge already.

But Jones also picks apart the internal debates that helped undermined Rebecca, and how these were reflected in the wider movement. Leading Chartists, themselves riven by debates about violence, were often contemptuous of Rebecca, not least because they saw it as a cross-class movement that involved both workers and their farmer bosses. There was some truth to this. Farmers in fact did pay people to destroy the tollbooths. But ordinary people don't simply take to arson and destruction because they are paid too. There has to be a level of general discontent within society to make it worthwhile, and, as the support and sympathy for the Rebecca makes clear, this certainly existed in southern Wales in 1843.

The movement was broken by a combination of heavy repression and internal division. But, it is important to point out, it was remarkably successful. Jones notes that many of Rebecca's demands were won, toll houses disappeared, roads improved and there were changes made to support those in poverty. Many of those captured and imprisoned by the authorities were let off, either by symapthetic jurors or by the authorities who were fearful of making martyrs. 

Jones concludes that Rebecca's real legacy however, was to inspire others - even today. As she says:

The original Rebecca movement was composed of ordinary men and women who, finding their circumstances intolerable, used what they had to hand - from petticoats to petitions, and fom mass meeetings to sledgehammers - to challenge and change their world. The extent of their success is perhaps less important than the fact they made the attempt.
This new history of Rebecca fills an important gap in the history of rural radicalism. Written by a socialist it addresses key questions about class, gender and social movements that remain important today. It will teach new generations about our history of struggle, and reminds us all that the modern countryside is the consequence of violent class struggle.

Related Reviews

Williams - The Rebecca Riots
Jones - Before Rebecca
Dunbabin - Rural Discontent in Nineteenth Century Britain
Boyce - Imperial Mud: The Fight for the Fens
Griffin & McDonagh - Remembering Protest in Britain since 1500

Saturday, November 02, 2024

James M. Cain - Mildred Pierce

This 1941 novel by James M. Cain is not one of his best known, though it was made into a film starring Joan Crawford as the eponymous Mildred Pierce. That film, apparently, gave the story an upbeat ending. This is remarkable, because the novel is certainly not upbeat, and instead describes a life of bittersweet travails. The Hayes Code had a lot wrong with it.

Mildred Pierce is a middle class housewife, one of thousands brought low by the Great Depression. Her husband brings her lower, leaving her in the early pages of the book for his mistress. Pierce is left alone with two daughters, and finds her only hope of employment in menial jobs that she thinks are beneath her. 

Its a powerful start. Cain takes as his subject a woman undone by economic circumstance and her husband's misogyny. His subject is not the usual one in novels about the era - working class victims are better heroes of novels than the aspiring middle class. Above all else this is a novel about class. Mildred Pierce uses her contacts, her business acumen and her good looks to drive a project forward. She wants to rebuild her position in order to ensure her eldest daughter Vera loves her, and respects her.

Vera is the villain of the book. Her greed, her snobbery, her love of money and fame, and her ability to use others goes unnoticed by Mildred. Her mother can only see good, not the double crossing. As Mildred's success grows, she is once again brought low. But this time it's not capitalism, but her need to buy Vera's love. It means, really, that there cannot be a happy ending. The two main women characters' are so flawed as to be unable to find a mutual way out. But it is Mildred who is left to pick up the pieces.

This is a powerful novel. But it's grim. One reads it hoping it will get better. But every success brings the seeds of failure for Mildred. It is, perhaps, a metaphor for the futility of real happiness under capitalism. Cain may not have had the politics of anti-capitalism. But he could see it around him. In Mildred Pierce he put it on the page.

Related Reviews

Cain - Serenade
Cain - The Postman Always Rings Twice
Cain - Double Indemnity

Tuesday, October 29, 2024

Michael Balter - The Goddess & the Bull: Çatalhöyük An Archaeological Journey to the Dawn of Civilisation

Çatalhöyük is perhaps one of the most remarkable neolithic archaeological sites in the world. Situated in  Anatolia, Turkey, it is one of the earliest "cities" known. First discovered by James Mellaart in the 1950s, it was partially excavated several times by him. and numerous artificats, human remains and art works were found. It has been further explored in the 1990s and through the 2000s. It is, without a shadow of a doubt, one of the most important places for understanding early human history. 

Michael Balter's book is one of the few modern, and accessible, accounts of Çatalhöyük. It is simultaneously a book about the history of the site, as well as being an account of the history of the exploration of Çatalhöyük and also a social history of the modern dig. Balter was present for multiple digging seasons - initially because he was writing about Çatalhöyük as a journalist, and then to study the people and the dig itself. It makes for a remarkable account. As one of the archaeologists notes, if you want to understand what has been found, you also need to understand the person doing the dig.

The story starts in the 1950s with Mellaart's discovery of the site, and then his initial excavations. Mellaart looms large over Çatalhöyük, firstly as the finder and excavator, and then as a more controversial figure. Mellaart's own studies were rooted in the prevailing ideas of the time, and several were dated. His own excavations were less rigorous than contemporary digs, but they still yielded important information and insights. Mellaart became a world authority, skilful at public outreach that made him, and the site, famous. But Mellaart was also controversial. Permission for his archaeological exploration was abruptly withdrawn by the Turkish authorities and he was banned from the country after the scandal known as the Dorak affair. In this Mellaart was accused of smuggling treasurers out of the country. The book was published during Mellaart's lifetime, and finishes with him visiting the contemporary dig. But after his death a few years later, it became clear that he had engaged in forgery, blemishing his authority about the site.

Mellaart's legacy and work hung over the dig at the time of its reexcavation in the 1990s. This was led by a British archeologist Ian Hodder, a pioneer of what became known as post-processual archaeology. Balter's book explores the development of archaeological theory, showing how the 1960s led to the emergence of a "New Archaeology" that argued archaeology was primarily concerned with human cultural change. In constrast, Hodder and others argued in the 1980s onward, that what was needed was an approach that "would combine the New Archaeology's emphasis on studying the processes of social change with the concerns of an earlier generation of archaeologists such as V. Gordon Childe and Glyn Daniel, who had viewed archaeology primiarly 'as a historical discipline' and artifacts as 'expressions of culturally framed ideas.'"

This meant that for his excavation of Çatalhöyük, Hodder developed a radically different approach to excavation. He assembled a broad and large team of experts who could look at multiple different aspects of the site - from the remains of plants to the location of bodies - and offer insights. Digging the site must have been a heady experience at times, as the team of archaeologists bounced ideas off each other and explored different approaches. The new approachs to archaeology that emerged in the second half of the 20th century, were heavily influenced by radical movements - from Marxism to Feminism. It is interesting to see the importance of these approaches explored by Balter's book, and indeed how they actively shaped the work and interpretations of the archeaological workers. 

What Balter does in this book then, is quite remarkable. His exploration of the history of Catalhöyük takes place on multiple levels. First their is his account of early human history - the ideas, activity and lives that made up the neolithic culture there. But through his discussion of these he also explores the nature of modern archaeology and its own shaping through contemporary culture. Finally, and inseparable from the previous two, he looks at the workers on the site. Exploring how their own lives, ideas and cultures shape their understanding of the neolithic. 

Lacking an academic grounding in archaeology but an enthusiasm for the distant past, I was expecting to mostly enjoy the bits about ancient Catalhöyük society. I actually found myself fascinating by Michael Blater's exploration of archaeology itself, and the people who make and shape it. A recommended read.

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Sunday, October 27, 2024

Kevin Barry - The Heart in Winter

The town of Butte, Montana, USA, was built on mining. Its miners came from everywhere around the world, and their labour lined the pockets of the mine-owners to the extent of millions of dollars. Not for nothing was the town known as "the richest hill on Earth". The miners, of course, worked hard, long hours in dangerous conditions. Today the most sombre place for visitors to Butte is the memorial to the lives lost in the Speculator mine disaster of 1917. Another place to visit is one of the town's former brothels.

Both these aspects of Butte are part of the plot of Kevin Barry's novel The Heart in Winter. Set in the 1890s, one of its two central characters is Tom Rourke, an Irish immigrant who failed at being a miner, but now makes a living by selling dope, and casual work in the local photographer's shop. His nights are spent in Butte's bars and brothels. 

Polly Gillespie, on the other hand, is a mail order bride. She arrives at the station and within minutes is married to the zealous religious man Long Harrington, a manager at the Anaconda mining company. Her background is less clear, though its obvious she is not the shy virgin that Harrington thinks. Her marriage is immediately dark, as her new husband flagellates himself, presumeable for the sin he commits with Polly. On meeting Tom at the photographers, Polly is immediately taken. Soon they are fleeing through Montana's forested mountains, on the back of a stolen horse whose money bags are filled with the rent collected by Tom's former landlady. Rent that Tom rarely paid. Leaving the lodgings burning, and with little in the way of survival gear, Tom and Polly, escape into the woods and meet a succession of random, eccentric characters - precisely the types you might expect to be living in the woods in 1890s Montana. Religious, eccentric and brutalised. They are persued by three violent sexually obsessed thugs, hired by Harrington to return Polly and murder Tom. 

Their love affair is powerful and intense. It is brilliantly written, though the reader instinctively knows that it will not end well. Few lives seem to in Barry's portrayal of a Montana run through with profit hungry multinationals and with Native American genocide only a few years in the past.

Barry's writing is tight and clipped. This is not a long novel, though he packs a lot into each sentence. It is sparse, to the point of frustration at times. I found myself wanting a few longer descriptions of events. Reading this too fast means missing how events completely. But the pace fits the story of two lovers on the run, and its a fantastic portrayal of life on the edge of Western civilisation, in a place where as Sergio Leone put it in Few Dollars More, "Where life had no value, death, sometimes, had its price". 

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Tuesday, October 22, 2024

Anthony Seldon with Jonathan Meakin - Truss at 10: How not to be a Prime Minister

This sort of political biography rarely interests me. But I must admit to a certain fascination with the short 49 day premiership of Liz Truss. Part of this arises from attempting to understand how her chaotic period as PM could have had such a profound effect on the British economy. Her disastrous mini-budget which, according to Anthony Seldon's new book, was even dismissed by US President Biden while he bought an ice-cream, had disastorous effects for people already suffering a massive cost of living crisis. For many there has not yet been a recovery. But this book also offered the attraction of reading about the infighting among Tory politicians, each seemingly more greedy for power than the other, and each of them willing to sell their own grandmother for a chance at success.

Anthony Seldon is very much an establishment figure - this is not the work of a raging socialist who would happily see the whole Tory Party condemned to prison. But he is a faithful and honest recorder of events. Despite the short length of Truss' time in Number 10, Seldon's book is based on some 120 interviews with insiders, MPs, advisors and "people in the room". It is also a rumination on what "success" and "failure" are for British PMs.

Liz Truss came to Prime Ministerial office more by accident than design. Her success was a result of machinations that were trying to keep out the right's favourite Penny Mordaunt in favour of Rishi Sunak. Truss arrived, blinking in the daylight, with few plans and concrete ideas other than a profoundly right wing neoliberal outlook on the economy and a happy go lucky attitude to finance. Partly as a result of the painful leadership election Truss was limited in who she could ask to be in her cabinet. More problematic was her focus on the hard-right of the Party which meant that fringe figures like Jacob Rees-Mogg were pushed to the fore instead of more level-headed and experienced people. Truss herself, it must be said, was relatively experienced. Seldon makes the point that in different circumstances, she could have been a relatively benign PM, after all she had served in multiple cabinets for previous PMs.

But she was elected by a Tory membership that favours the right-wing politicians, and she cobbled together a cabinet that reflected this. Seldon repeatedly makes the point that Truss' biggest failing was to mistake the enthusiastic support of the Tory membership for the electorate as a whole. 

In office she made a series of blunders and errors. It is wrong, and deeply unfair, to attribute these simply to Truss's incompetence. Though there was plenty of that. Truss was singularly unwilling to listen to advice and criticism. Worse than this she made a series of personal choices that removed those best placed to offer concrete suggestions, even had she been willing to listen. In addition some of the ideas she was getting from those close to her were wild. Rees-Mogg's belief that the public could be won to nuclear power if a naval submarine was moored in the Liverpool docks and its reactor connected to the national grid being just one. 

More problematic however were Truss' own right wing ideas. In fact, in Seldon's account, there is more than a little of Trumpism to her approach. Her obsession with the "blob", an alleged amorphous mass of civil servants and liberals blocking free market initiatives was one example. This meant she sacked or ignored those whom she disagreed with, cutting herself off from people who could have helped her find a way through the mess. In the middle of the economic storm it was a fatal mistake and a real weakness of her personal leadership.

However it was her commitment to a right-wing "mini budget" designed to kick start the economy that was her undoing. Improperly costed, with no intention to balance the books, the already fragile British economy was sent into freefall as the markets sold the kitchen sink as the pound collapsed. A vicious circle developed and neither Truss nor her closest allies could offer confidence or stability. It was only a matter of time before she went.

What is important here is the way that British capitalism reacted to Truss. There is no doubt that her measures would have been attractive to many in big business. Cutting taxes, ending the cap on bankers bonuses and so on. But they were mistimed, and in a period of instability, British capital needed stability in order to maximise profits. It was this that Truss and her Chancellor could not offer, and it was this that Jeremy Hunt, who replaced Kwasi Kwarteng as Chancellor and dramatically reversed all Truss' ideas did offer. Stability is always better for the bosses, and Truss had to go. It wasn't the blob that did for her, but the free market operating as its proponents think it should.

There is a certain delight in reading about what was happening behind the scenes. Truss' confusion, shock, horror and incompetence are good for a laugh. At the time, of course, we, the public, knew little of this. Seldon's interviews give us a real insight into what was going on. It is like watching a political car crash in slow motion and in HD. But if readers remember, at the time, we weren't laughing. We were all glued to the news because it was our mortgages and gas bills going through the roof. At one point there was a serious possiblity that all our pensions would vanish. 

The problem with Seldon's account is that this aspect to the crisis is entirely absent. Indeed the whole book takes place within the rarefied atmosphere of establishment parliamentary politics. There is one, brief, allusion to the strikes that had rocked Britain in 2022 and continued to into 2023. One of the reasons for Truss' weakness is that these strikes had demonstrated a popular militant alternative to Tory government by and for the rich. Truss, and indeed the PMs who preceded and followed her, were incredibly vulnerable to that power. Sadly the TUC and the union leaders didn't push that through and ensure that the next PM was chosen on the back of a powerful working class mobilisation. We all would be in a better position today.

Anthony Seldon's account of Truss's pathetic stint in Number 10 can be read on many levels. One aspect to this is to see just what odious people some of these politicians are. Seldon's quotes an anonymous insider who notes that when Truss thanked them for their work after she decided to resign, it was the first time any of them had heard her say "thank you". So this is an insider's account of political disaster, chutzpah and consequent decline and fall. But it also reminds us that the "gang of waring brothers" who govern, are motivated by self interest. At the same time they are divided in only one way - how to best to maximise profit. Reading Truss at 10 is a bit of an insight into the establishment that should make us all more committed to fighting for a more rational political system - one not guided by greed.

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Sunday, October 20, 2024

Abram Leon - The Jewish Question: A Marxist Interpretation

Abram Leon was a brilliant intellectual and socialist activist whose life was cut short when he was murdered in Auschwitz. Born in Warsaw in October 1918 his parents emigrated to Palestine when he was a schoolboy, but then moved to Belgium shortly afterward. From his parents Leon learnt Zionist politics. He quickly becoming an activist in the Zionist socialist youth movement Hashomer Hatzair. He read avidly, as even a cursory glance at the extensive bibliography in this book shows. But he studied Marxism seriously and began to break with Zionism. Leon wrote for a Belgian Troskysist newspaper, and quickly became involved in the group behind it. During World War II Leon wrote a "Theses on the Jewish Question" which became the basis for this book. Through the war years Leon became a leading underground revolutionary, connecting activists in France and Belgium and his group was one of the few socialist organisations maintaining principled positions against imperialism. Tragically when the end of the war was in sight Leon was captured by the Nazis, tortured and eventually deported to Auschwitz where he was murdered.

The Jewish Question: A Marxist Interpretation was his only book. It is a masterpiece of hisorical materialism, limited only by the conditions in which it was written. The editors and translators of the Pathfinder edition I read have done wonders to attempt to find all the source material that Leon used. Naturally he was unable to check all his sources, though this does not undermine the work at all. In the book Leon attempts to understand the position of Jewish people under capitalism and how they have become the victims of fascist and right-wing politics. To do this he explores the history of the Jews from ancient times through to the 20th century. He does because in his words:

We must not start with religion in order to explain Jewish history; on the contrary, the preservation of the Jewish religion or nationality can be explained only by the 'real Jew,' that is to say, by the Jew in his economic and social role.

Thus Leon argues that "the cause of ancient antisemitism is the same as for medieval antisemitism: the antagonism toward the merchant in every society based principally on the production of use values". The Jewish religion means that Jews in ancient and feudal society were forced to occupy particular roles within society, that of the merchant, trader and eventually money lender. These positions meant Jewish people become the victims of antisemitism because they are hated both by the ruling class and lower orders for their economic roles. Leon spends some time exploring the different roles of Jewish people in medieval times - particularly the way that the ruling class dominated their repression - stealing their money, initiating pogroms and expelling them from their lands. Its a fascinating account which sees monarchs and lords dependent on the Jewish people, and empowered to exile and imprison them. But as the economies developed, this was undermined as other people could take on the positions previously restricted to Jews:

The evolution in exchange of medieval economy proved fatal to the position of the Jews in trade. The Jewish merchant importing spices into Europe and exporting slaves, is displaced by respectable Christian traders to whom urban industry supplies the principal products for their trading.

This developement drives a further change which sees Jews become associated with "usury" in particular - though Leon is careful to avoid seeing "lending" as being seperate to "commerical capital". Instead he argues is that "the eviction of the Jews from commerce had as a consequence their entrenchment in one of the professions which they had already practiced previously." Again Leon explores in some fascinating detail historical examples of how Jewish people lived and worked in the period, and their social positions. Crucially Leon argues against common antisemitic lies:

The ideology and capacities of each class formed gradually as a function of its economic position. The same is true of the Jews. It is not their 'innate' predisposition for commerce which explains their economic position but it is their economic position which explains their predisposition to commerce. 

Leon continues by arguing that just as it is "infantile to see the economic position of Judaism as the result of the 'predispositions of the Jews'... it is puerile to consider it as the fruit of persectuions and of legan bans against exercising other profiession than commerce or usury." He documents the various roles, jobs and positions that Jewish people did hold in medieval society outside of trading and usury. It demonstrates that even in highly religious societies like medieval Europe, antisemitism was not a constant. But the association of usury with Jews drove new explosions of antisemitism among the rich as well as the peasants and artisans in cities. As Leon explains:

In the measure that usury became the principal occupation of the Jews, they enetered increasingly into relations with the popular masses and these relations worsened all the time... It was... direst distress which forced the peasant or the artisan to borrow from the Jewish usurer... It is easy to understand the hatred that the man of te people must hav efelt for the Hew in whom he saw the direct cause of his ruin, without perceiving the emperor, the prince, or the rich bourgeois, who had become richer thanks to the Jewish usurer. it is in Germany above all where Jewish usury took on its most "popular" form, pricipally in the fourteenth and fifteenth centuries... a hatred which ended in anti-Jewish massacres and in the "burning" of Jews (Judenbrand).

This lays the basis for ongoing antisemitic tropes and racist beliefs about Jewish people, even into the capitalist era when Jews no longer played the social and economic role they had done under feudalism. As Leon writes:

On the one hand, capitalism favoured the economic assimilation of Judaism and consequently its cultural assimilation; on the other hand, by uprooting the Jewish masses, concentrating them in cities, provoking the rise of antisemitism, it stimulated the development of Jewish nationalism. 

The development of Zionism as a reflection of this nationalism however is unable to resolve the contradictions that arise from class society. As Leon says, "an evil cannot be suppressed without destroying its causes. But Zionism wishes to resolve the Jewish question without destroying capitalism, which is the principal source of the suffering of the Jews."

Unsurprisingly it is the horror of the Nazis that shapes the conclusions of Leon's book. Though he remains hopeful. It is worth quoting in full these words, written as they were by a socialist revolutionary in the midst of the Nazi Germany's conquest of most of mainland Europe:

The very paroxysm, however, that the Jewish problem has reached today, also provides the key to its solution. The plight of the Jews has never been so tragic; but never has it been so close to ceasing to be that. In past centuries, hatred of the Jews had a real basis in the social antagonism which set them against other classes of the population. Today, the interest of the Jewish classes are closely bound up with the interests of the popular masses of the entire world. By persecuting the Jews as “capitalist,” capitalism makes them complete pariahs. The ferocious persecutions against Judaism render stark naked the stupid bestiality of anti-Semitism and destroy the remnants of prejudices that the working classes nurse against the Jews. The ghettos and the yellow badges do not prevent the workers from feeling a growing solidarity with those who suffer most from the afflictions all humanity is suffering.

Leon argues that the destruction of capitalism and the building of a socialist society would enable the Jewish people to live in peace and freedom precisely because it would allow "the possibility of assimilation as well as the possibility of having a special national life". Perceptively, several years before the establishment of the State of Israel he notes the potential for a socialist future to unite people, "when national barriers and prejudices begin to disappear in Palestine, who can doubt that a fruitful reconciliation will take place between the Arab and Jewish workers, the result of which will be their partial and total fusion". 

Socialism, by removing national barriers, class antagonism and the need to "divide and rule" will, through the joint struggle of people from different backgrounds, cultures and religions, create a society free of antisemitism forever. It is only socialism, Leon argues, that can offer hope and a safe future to Jewish people everywhere.

The Jewish Question: A Marxist Interpretation is a remarkable book, both for the conditions of its writing and for the clarity of its argument. Inevitably there are some things that are dated, and it would have been interesting if Leon had been able to develop further his analysis of fascism and antisemitism. But in its clarity of historical analysis, Abram Leon's use of Marxism to understand how Jewish people's lives and social roles changed historically, and his utter commitment to the complete liberation of humanity, it remains an inspiring and educational work.

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Friday, October 18, 2024

Walter Mosley - What Next: A memoir toward world peace

Walter Mosley is best known for his crime novels, many of which feature Easy Rawlins, an American black detective working in Los Angeles. But Mosley is less well known for his political work. What Next: A memoir toward world peace is an essay he wrote in the aftermath of the terrorist attacks on September 11 2001 in New York City. In it Mosley explores the reasons for the attacks and the dangers of a US led response. In doing so he interogates the racism, poverty, violence and class nature of the United States.

Reading What Next I was reminded about the radical politics of the era. September 11 happened in the midst of the merging and growing anti-capitalist movement, which then morphed into the anti-war protests. A strong sense of radical politics emerged within these movements that is very much reflected in Mosley's writing. He rights beautifully about how the Civil Liberties movement shaped contemporary America. But he is also painfully aware of the reality of US imperialism and how what is done to the rest of the world in the name of US power, impacts back on those who live in the US state, but are also victims. 

The "memoir" aspect of the title comes in part from Mosley's own memories of his father. He was a US soldier in World War Two, and Mosley remembers how when he asked his Dad if he was scared his father's answer shocked him. Mosley senior wasn't scared at first, because he thought the Germans only hated Americans, and as a black man, he had never been considered American. The Nazis however, didn't appreciate the sutbletiles of 20th century US racism and tried to shoot him. It was a defining moment for Mosley's father and thus for Walter.

As Mosley watched the burning Twin Towers, he say "in the column of smoke", the legacy of that system:

Every child wasting away under his mother's powerless gaze. Every Muslim burned by a Hindu. Every innocenet citizen blown up by a suicide bomber or crhsed by an onrushing, revenge-drunk tank. I know we are responsible because US dollars have found their way into, and out of, every battlefield, every hospital bed, and every pocket of every terrorist in the world. We - Black men and women in every stratum of American society - live in and are part of an eco-system of terror. We, descendents of human suffering, are living in a fine mansion at the edge of a precipice. And the ground is caving in under the weight of our wealth and privilege.

Much of this could be written about today not least in US imperialism's support for genocide in Gaza. But there is ambiguity in Mosley's assertion that everyone in the US is in someway responsible for it. He does understand that not all Americans, and certainly not all "people of color in this nation" are wealthy, successful or privileged. There are many who suffered in the US's rise to power: "Native Americans and Chinese Americas and millions of poor white Americans who suffered and died for the railroads and steel manufacturers in wars for land and economic control."

But it is, and was, unfair to right that "black men and women in every stratum" are living in a "fine mansion" in "wealth and privilege". Quite the opposite in fact. Mosley's polemic is contradictory. He understands that the poor, the oppressed and the exploited are victims, yet because they are part of "America" he portrays them as part of the machine. However, this sits at odds with his belief  that the enemy is the system itself, and that "we must redefine our notion of the The Enemy, taking into account the role and actions of our own political and economic systems".

The problem is of course, the word "we". US politicians are adept at claiming that they speak for all. In fact all imperialists are. They justify actions by claiming to speak in our name. It is why so many placarsd on anti-war protests read "Not in Our Name". Mosley echoes this: "Even if we condone military actions, we might at least claim some culpability". And Mosley turns this into a critique of the general mainstream political narrative: "If we commit these murders, then we are also The Enemy of Civilisation" he concludes. Here he deploys "we" to force the reader to question who they are within the logic of imperialism.

It is safe to say that Mosley was not writing for me. His polemic was written specifically "as an address to African America", as a discussion on how black American history relates to the War on Terror. That's not to say there isn't plenty here for everyone though, even two decades after that failed war began. Running through the book is the question of class. I was enthralled by the clarity of his prose when it came to understanding the differences between the poor and the rich: Those who labour, and those who don't. Mosley uses this theme repeatedly, linking the war abroad with the war on working class Americans.

In vilifying the capitalist shell of our foreign policies, the victims also vilify the American people. This makes sense. Don't we always malign our enemies?... But... we Americans don't necessarily believe in the pracitvies of our corporate structures. Many of us feel the plundering effects of big business in our own work lives, bank accounts, energy bills and certainly at the hospital. Today many Americans have lost vast quantities of cash betting on the hollow promise of the stock market. College funds nad retirement accounts have been depleted and lost while the captains of capital remain well-heeled and unaffected.

In fact it is very notable that Mosley's definition of class is a Marxist one, linking it to the individual's relation to the means of production, rather than sociological nonsense like ones accent. 

So Mosley's conclusions are revolutionary. His calls to action are very much shaped by the preoccupation of the 2000s anti-capitalist movement: concern about the media, questions about organisation, fears about state security bodies and perhaps some naive illusions in state democrarcy. The movement still obsesses about some of these these questions today, which is why the book feels so contemporary. 

But it also feels contemporary, because the problems that Mosley refers to in the aftermath of 9/11 have only got worse. The US has been involved in endless wars. Imperialist crisis is spreading. Economic slump and crashes have reoccured and the environment has only got worse. The movements against racism that form the core of much of his essay have, however, exploded: Black Lives Matter saw the biggest days of protest in World History. These built on the movement against war and capitalism that inspired Mosley. They continue today - not least in the Palestinian solidarity movement. In this sense Walter Mosley's book speaks to a new generation.

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Thursday, October 10, 2024

John Vaillant - Fire Weather: A True Story from a Hotter World

I write this review in the immediate aftermath of Hurricane Milton's devastation of parts of Florida. Milton followed Helene, just a week or so earlier. Both hurricanes cut a swathe through parts of North America, leaving death and destruction in their paths. John Vaillant's recent book Fire Weather is subtitled a "true story from a hotter world" and the story of hurricanes Milton and Helene could have shared that subtitle. They were both made worse by the hotter world we now live on. Scientists and environmentalists have longed warned about the feedback mechanisms of a warmer planet. As the world gets warmer, climate change further encourages the warming of the world. This cycle accelerates the speed of warming. The catastrophes that accompany a hotter planet come thicker and faster.

Fire Weather deals with just one such catastrophe, but it is an emblematic and enlightening one, the destruction of Fort McMurray in Alberta, Canada in 2016. There's a grim feedback mechanism in play here, for McMurray is at the heart of fossil fuel capitalism. It was for many years a boomtown driven by the wealth of the region's tar sands. The bitumen deposits here are difficult to turn into profitable commodities. But when the price of oil is high enough there are bonanzas to be made. McMurray was a town built on bonanza. 

Vaillant traces the history of McMurray, and indeed, the history of industrial capitalism's obsession with oil. Its a fascinating story that shows the way that capitalism embedded nature, and its resources, into a global commodity system. McMurray started off as an isolated place where animal skins and fur were trapped and sold, before morphing into an (isolated) 21st century oil city. Weaved in with this history is a longer story of humanity's relationship with fire. Combustion, burning, fire are essential for humans. We need fire for travel, heating and food. But fire is also intrinsic to nature. The boreal forests that surround McMurray for tens of thousands of square miles need fire to renew and propagate. Humans think of such fires as a threat that needs to be fought - an invading army that has to be countered with traps, weapons and occasional retreat (the retreats are more common now). But the fires that engulf Alberta are part of that ecological system, its just that (unfortunately for humanity) they are more frequent, more intense and more common in a warming world.

Vaillant explains fire to us. But his use of metaphor is interesting. Describing how wildfires crossover ("when the ambient temperature in degrees Celsisus exceeds the relative humidity as a percentage") and become an exponentially faster, more agile, more dangerous fire, Vaillant says that "if unregulated free market cpaitalism were a chemical reaction, it would be a wildfire in crossover conditions". He continues "Alberta's bitumen industry follows a similar growth pattern, with market forces standing in for weather."

Capitalism is the problem here. It drives an endless accumulation of wealth for the sake of accumulation, based on an insastiable burning of natural resources. It is a wildfire of production, and as it grows it sucks in more nature, more humanity and expels material that pollutes and destroys. The irony of McMurray is that it was destroyed by its own forces of production, or rather the consequences of the usage of the use-values it produced. In fact Vaillant's book is really about the intersection of urban fossil fuel capitalism and wildfire. As he writes:
Combustive energy had drawn people to For McMurray in steadily increasing numbers over the course of a century, and combustive energy was driving them out again, en masse, in a single afternoon... the exodus of May 3 [2016] was the largest, most rapid displacement of people due to fire in North American history. It took the form of an unbroken ribbon of vehicles crawling in ranks, like army ants, northward and southward out of the city while fire raged along the highway, in some cases right up to the breakdown lanes.
With Hurricane Milton in mind, as well as Vaillants accounts of the escape from McMurray, it might be that the defining images of 21st century global warming in the Global North will be endless streams of SUVs and trucks driving away from environmental disasters. Climate refugees from the Global South are met with barbed wires and closed borders. In the Global North the Ford F-150s were given a much friendlier welcome. In one way the Fort McMurray fire was a very unusual climate disaster. Unusual circumstances combined with a rare urban environment
Hundredth-percentile fire weather conditions during the hottest, driest May in recorded history, following a two-year drought in a sudden city filled with twenty-five thousands petroleum-infused boxes and surrounded by millions of dessicated trees.
But as Vaillant points out, "this is the nature of twenty-first-century WUI [Wildland Urban Interface] fire." Once in a lifetime events are becoming once in a decade events. Soon they'll be more common. 

If Vaillant had only written the story of McMurray and the urban-wildfire environment it would have been a fine book. But at the heart of the story is that of McMurray's population. His account of the desperate evacuation, the struggle of the authorities to adjust to rapidly changing and unprecedented fire condition and the battle of the firefighters itself is a remarkable account of the reality of disaster in modern neoliberal society.

It is the story of a city that is really unable to deal with the disaster, not because of incompetence, or lack of training, or even lack of resources (something that most people in the world facing disaster will not have), but because there was no real understanding that a disaster on this scale could even happen. In many ways McMurray was better prepared than most cities for fire, because it could draw on the resources and fire-fighting experience provided by the oil industry itself. But the failure to control the fire happened because it was on a scale far beyond imagination. In fact clear is that traditional fire fighting doesn't work in the in the 21st century WUI, and new methods of fire control need to be learnt. Interestingly it seems that allowing firefighters and workers to make decisions based on events and knowledge, rather than centralied leadership, is one lesson to be learnt from these massive fires.

Reading Vaillant's account of the breakdown of control I was reminded of those highly popular 1970s brick sized novels epitomised by Arthur Hailey. In those wonderful disaster stories, tiny mistakes and failures would accumulate into a giant failure. In McMurray there were plenty of such failures that combined to help the fire reach epidemic proprtions, but there was no lack of bravery. In fact the stories of the firefighters and indeed ordinary workers who fought day after day to save their city are inspiring. One wonders what is left for them. Vaillant quotes one Radio director who said afterward, "imagine a city - thousands of people - all living in everyday harmony, each and every one with some aspect of PTSD."

There's going to be more. Vaillant writes that "hotter and drier now, the atmosphere has been tilted in fire's favour". As the hammer of global warming drives more and more hurricanes, wildfires, heat waves and floods against the anvil of capitalism's fractured and divided society, there will be endless death and destruction. There will also be plenty of PTSD for the survivors. But the bravery, industry and inventiveness of the workers who fought the fire in McMurray, and who rebuilt the town, are the potential force for change. John Vaillant concludes his superb book, by arguing for a different vision to that offered by fossil fuel capitalism - "devoting our energy and creativity to regeneration and renewal, rather than combustion and consumption". Let's hope that these are the lessons of Fort McMurray, and hurricanes Helene and Milton.

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Tuesday, October 08, 2024

John Grisham - The Runaway Jury

It has been many years since I read a John Grisham novel. But back in the late 1990s and early 2000s I had several favourites. I was a particular fan of The Runaway Jury which I read several times. It is the story of a jury in a case where the widow of a smoker who died from cancer is suing a large tobacco corporation. It is a high stakes trial. If the plaintiff wins, there'll be immediate damages of millions of dollars. The risks for the multinationals though are much bigger - the potential for tens of thousands of further lawsuits.

In order to try and best skew the jury towards a favourable verdict, both sides of lawyers have teams trying to understand who the jurors are. The most unfavourable came be removed at jury selection - the most likely to give big monetary damages for instance. The others might be swayed by more nefarious and illegal means. Bribes, pressure on family members, or other acts. Its highly illegal, though possibly quite realistic, and Grisham has a brilliant cast of utterly amoral and immoral characters trying to win the case for big tobacco, and having access to huge slush funds to make it happen. 

But then there's Nick and Marlee. Nick is on the jury, and no one seems to know anything about him. But he seems to be able to steer the jury. Influencing them to get proper food and cutlry. To get day trips to break the monotony of sequestration and to even act collectively seemingly at random. How is he doing this? Marlee approaches Fitch, an unpleasant fixer for the tobacco companies, with a generous offer. For plenty of renumeration she'll ensure Nick delivers the verdict.

It is a fantastic, if unbelievable, setup. Grisham tells it well though, and creates a real tension by the end. The reader must know which way the results going to go, but how will Nick and Marlee get away with it. There's a fantastic tension between Fitch and Marlee that Grisham nicely develops. It borders on lust on Fitch's part. Not in a sexual way, but because Marlee offers something that he, a veteran of dozens of such trials, can only dream of - the ability to dictate the outcome of a jury's decision.

The Runaway Jury has everything. A humiliated multinational. A cast of unpleasant characters who usually get their comupance, and a nice win for the underdogs. Despite it feeling dated in places - not least because the technological references are now very dated - this is a fun, satisfying read. Particularly for those of us whose lives have been blighted in one way or the other by the tobacco companies.

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Len Deighton - The Ipcress File

Len Deighton's The Ipcress File came out in 1962, the first in a series about an anonymous spy who was to be christened Harry Palmer in the films made of the books. Palmer is an interesting character, a direct reposte to James Bond. Spycraft in these novels is not glamorous or sexy, its dirty, dull and bureaucratic. Deighton's version of the British spy system is stuffed full of upper-class ex-servicemen who are well out of their depth, fighting paperwork battles for funding and obsessing over expenditure. His anonymous hero is a working class former soldier who invades their world, delights in insubordination, and has a "to hell with it" attitude to spying and paperwork. It makes for a fun mix.

Expectations of Deighton's book might depend on whether or not you have seen the film. If you have, then it is difficult to shake off Michael Caine's role. If you haven't then you are treated to a first person view of a Cold War London that is emerging from its era of rationing and austerity. The Dockers are always on strike. The coffee is always cold and inadequate and everything is glum and a bit seedy. It is the depiction of this that makes the film of Ipcress File so entertaining. But the book lays it on much harder.

If I have one criticism it is that the first person structure of the novel makes it quite hard to follow an intricate plot. Despite it's relatively short length, this is not a novel to rush through. The sparcity of prose means that missing a line means plot points can be lost quite quickly. Rather like some of Raymond Chandler's work, I am still a little unsure of the fate of one of the characters!

The Ipcress File is a fantastic 1960s story full of double-crosses, betrayal and international machinations. Combined with frustrations about spies who haven't filled in their expense forms. Highly enjoyable!

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