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At the end of his childhood lane the narrator finds himself at the home of the three Hempstock women, who while child, mother and grandmother, are also old beyond time. Together they help defeat a malevolent presence that enters the narrators' world by accident and then infiltrates his family via the medium of an evil nanny. Gaiman does well to depict the world through the naive eyes of his seven year old story-teller, not least the nastiness of the nanny and the way that she turns his family against him.
As at least one reviewer has pointed out, Gaiman's best writing is in the interactions between his human characters, rather than the fantastical sequences, which feel somewhat whimsical. Indeed what made American Gods so powerful was that they fantasy was actually part, albeit a hidden part, of our own world. Here he has entered fairy-tale land and I'm not sure it works as well.
Related Reviews
Gaiman - American Gods
Gaiman - Smoke and Mirrors
Gaiman - Anasai Boys
Gaiman - Neverwhere
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