I was looking forward to reading Nick Martell's debut novel because it seemed to offer an intriguing basis for the magic of this fantasy land - those who specialise in various magical powers - lose memories as they use them. Its in interesting idea, implying that the magic requires something from those who seek to master it. Unfortunately this is about the only innovative idea behind the novel and I found the rest of the story overlong, meandering and, in places, confusing.
It is set in the city state of Hollow, where former noble Micheal Kingman, struggles to find his place in society. As a boy his father, a devoted follower of the king whose hereditary social position was intended to act as a balance to the ruler, is found guilty of killing the king. Branded a traitor, and exiled from the Court, Micheal remains convinced of his father's innocence.
Hollow is beset by outside threats and its rulers respond with repression and violence. But the state teeters on the brink of collapse. Michael finds himself in the midst of confusion and shifting intrigues by various court figures and mercenaries as he tries to work out what really happened on the day is father allegedly became a traitor and find a safe niche for him and his family.
It all sounds very interesting. But the story is cumbersome and overly complicated. In older fantasy there was usually an attempt to build the world early in the book so the reader can understand the actions of the characters in their context. Nick Martell has chosen however to reveal important aspects of the world and its magic through the book, so there are lots of confusing references that only make sense when something is explained later, often much later. These include key information that explains how Hollow is ruled. At other times I was left bemused - Martell emphasises the strangeness and magical nature of Hollow, but ensures that our characters breakfast heartily on bacon and tea. The combination of fantasy and normal made little sense to me.
While Martell manages to create a real atmosphere of disintegrating social chaos around the rulers of Hollow, he fails to follow this up with fleshed out characters. Michael Kingman's behaviour seemed unreal to me. He constantly makes decisions that seem utterly, well, stupid. I ended up finding him really annoying rather than identifying with his flawed heroism as the author clearly wanted me to. This, combined with confusing world-building, left me unsatisfied and unlikely to read the sequels.
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