Friday, July 11, 2025

John Molyneux - What is the real Marxist Tradition?

What is the real Marxist Tradition? is a remarkable short work that was written to fight for a clear understanding of Marxism in one of the hardest, recent, periods for Marxists. First published as an article in 1983 and then republished by the SWP in 1985 as a book, it sought to rescue Marxism as a theory of international proletarian revolution, at a time when Marxism was categorically identified with the State Capitalist regimes of Eastern Europe, and the working class was in retreat.

Reading it, particularly the 1985 edition which has a cover depicting Lenin, Trotsky,  Luxembourg, Marx and others from the classical Marxist tradition as well as Castro, Kautsky, Stalin and Mao, I expected it initially to be a critique of each of these individual's politics. Instead this is a much more nuanced study of Marxism, which begins with Marxism as a totality of ideas, that arise out of the working class, which in turn allows Molyneux to discuss the limits of Stalinism, Maoism etc through a discussion of the class basis of their own ideologies.

As I have been asked to write more on this elsewhere, I'll finish this review here and encourage activists to read Molyneux's work online. Watch this space for more.


Related Reviews

Binns, Cliff & Harman - Russia: From Workers' State to State Capitalism
Molyneux - The Point is to Change it: An Introduction to Marxist Philosophy
Molyneux - Will the Revolution be Televised? A Marxist Analysis of the Media
Molyneux - Marxism and the Party
Molyneux - Anarchism: A Marxist Criticism

Laura Elliott - Awakened

Highly recommended by reviewers, I was attracted to Awakened despite my usual rejection of the horror genre. It's pretext sounded intriguing. In a future Britain, a small group of scientists hide out in the Tower of London, protecting themselves from what is essentially a zombie horde outside. The difference here is that the zombies are the result of experiments by the scientists themselves to make people more efficient and profitable by eliminating the need for sleep.

As I said, it's intriguing. The story focuses on the arrival of a stranger, one of the sleepless, who seems to not be quite the same as the others. With him arrives a pregnant woman, proving perhaps that things outside of the Tower are very different. The impact of this arrival on the community, and in particular the narrator, Thea Chares is the subject of the rest of the novel. Thea has her own secrets and reason for her presence in the Tower. She's a scientist, one of those brought in by the eccentric billionaire who developed the chip that ended sleep. Thea's transformation through her developing relationship with Vladimir, the name adopted by the monster from outside, is the core of the story. Unfortunately I found it difficult to follow, events being confusingly described at times, and perhaps deliberately, Laura Elliott ends of drowning out the individual storylines with brooding menance. I had to read the ending several times to really work out what was being said, and found myself not that impressed. Ironically I didn't think the book was that much of a work of horror. It is, perhaps, more of book of implied violence. But I did also think that Laura Elliott had hit upon a good point to start from - if the billionaires could find a way of making us work through our sleeping hours they would. And they'd market it as a good thing for us, while they raked in the coins. This, perhaps, is the actual horror.

Monday, July 07, 2025

Herman Lehmann - Nine Years Among the Indians 1870-1879

In May 1870, Herman Lehmann and his brother Willie, aged 11 and 8 respectively, were kidnapped by Apache Indians and taken from their family farm in Texas. A few days later, in a brief battle with troops, Willie escaped and remarkably got home. Herman was to spend the next nine years away from his family living with the Apache and eventually the Comanche. 

Nine Years Among the Indians is Lehmann's famous memoir of his captivity and then life among the two tribes. Initially the Indians feared he would escape, and he was brutally assaulted and imprisoned. Soon however he became ingratiated into the tribe and began to learn how to live, hunt and fight among the Apache. His captors told Lehmann that his family had been killed, and this probably led Lehmann entering the tribe more easily. He seems to have become an accomplished fighter and horserider, and eventually as much a part of the tribe as anyone else - leading raids and fighting against the "whites". 

Lehmann's account demonstrates a remarkable memory, given it was written towards the end of his life. While most people today will probably read it for its eyewitness account of traditional camp life, the reader must also be wary. Writing for a "white" audience Lehmann seems to dwell on the brutality and violence of the Apache and the Commanche, and while expressing sympathy for the Indians he tends to celebrate the "civilising" affect of colonial society. This is, it should be said, particuarly noticeable in the introduction by one J. Marvin Hunter, whom produced the book from Lehmann's dictation. Hunter's introduction is full of racism and makes for uncomfortable reading.

Nonetheless there's a lot of interesting material, especially about life among the tribes, and the type of relationships between the Indians inside the tribe and with others. The internal disputes which led to Lehmann leaving the Apache and after many months alone, joining the Commanche are worth reading. But so are the account of the battle with the Texas Rangers (and the account of the same encounter from the other side). This, no doubt, inspired many a tale including similar events in Larry McMurtry's Comanche Moon.

Despite its short length, there is plenty to engage in here, and the difficulties that Lehmann found when he did eventually return to his family are touching. There's an amusing account of how he disrupted a Methodist revival with his Indian dancing, leading to him being banned from religious services until he was brought back to "civilised" behaviour. Lehmann's conclusion no doubt plays to his audience, but at least retains an understanding of who he was, and the life he was never quite able to leave behind. He dedicates the work to his mother, "and to those noble brothers and sisters I owe all for my restoration, for if it had not been for them I would today be an Indian still." If you can get past the appallingly dated language there's a lot here.

Related Reviews

Miller - Custer's Fall: The Native American Side of the Story
Hämäläinen - Lakota America: A New History of Indigenous Power
Michno - Lakota Noon: The Indian Narrative of Custer's Defeat