Michael Balter's book is one of the few modern, and accessible, accounts of Çatalhöyük. It is simultaneously a book about the history of the site, as well as being an account of the history of the exploration of Çatalhöyük and also a social history of the modern dig. Balter was present for multiple digging seasons - initially because he was writing about Çatalhöyük as a journalist, and then to study the people and the dig itself. It makes for a remarkable account. As one of the archaeologists notes, if you want to understand what has been found, you also need to understand the person doing the dig.
The story starts in the 1950s with Mellaart's discovery of the site, and then his initial excavations. Mellaart looms large over Çatalhöyük, firstly as the finder and excavator, and then as a more controversial figure. Mellaart's own studies were rooted in the prevailing ideas of the time, and several were dated. His own excavations were less rigorous than contemporary digs, but they still yielded important information and insights. Mellaart became a world authority, skilful at public outreach that made him, and the site, famous. But Mellaart was also controversial. Permission for his archaeological exploration was abruptly withdrawn by the Turkish authorities and he was banned from the country after the scandal known as the Dorak affair. In this Mellaart was accused of smuggling treasurers out of the country. The book was published during Mellaart's lifetime, and finishes with him visiting the contemporary dig. But after his death a few years later, it became clear that he had engaged in forgery, blemishing his authority about the site.
Mellaart's legacy and work hung over the dig at the time of its reexcavation in the 1990s. This was led by a British archeologist Ian Hodder, a pioneer of what became known as post-processual archaeology. Balter's book explores the development of archaeological theory, showing how the 1960s led to the emergence of a "New Archaeology" that argued archaeology was primarily concerned with human cultural change. In constrast, Hodder and others argued in the 1980s onward, that what was needed was an approach that "would combine the New Archaeology's emphasis on studying the processes of social change with the concerns of an earlier generation of archaeologists such as V. Gordon Childe and Glyn Daniel, who had viewed archaeology primiarly 'as a historical discipline' and artifacts as 'expressions of culturally framed ideas.'"
This meant that for his excavation of Çatalhöyük, Hodder developed a radically different approach to excavation. He assembled a broad and large team of experts who could look at multiple different aspects of the site - from the remains of plants to the location of bodies - and offer insights. Digging the site must have been a heady experience at times, as the team of archaeologists bounced ideas off each other and explored different approaches. The new approachs to archaeology that emerged in the second half of the 20th century, were heavily influenced by radical movements - from Marxism to Feminism. It is interesting to see the importance of these approaches explored by Balter's book, and indeed how they actively shaped the work and interpretations of the archeaological workers.
What Balter does in this book then, is quite remarkable. His exploration of the history of Catalhöyük takes place on multiple levels. First their is his account of early human history - the ideas, activity and lives that made up the neolithic culture there. But through his discussion of these he also explores the nature of modern archaeology and its own shaping through contemporary culture. Finally, and inseparable from the previous two, he looks at the workers on the site. Exploring how their own lives, ideas and cultures shape their understanding of the neolithic.
Lacking an academic grounding in archaeology but an enthusiasm for the distant past, I was expecting to mostly enjoy the bits about ancient Catalhöyük society. I actually found myself fascinating by Michael Blater's exploration of archaeology itself, and the people who make and shape it. A recommended read.
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